a 1.5 hour introduction to the personal developmental work of clown as an embodied philosophy to live by in everyday life and to enhance stage performance repertoire for all performative works. Open to all levels.

Lead Contributor: Zuma Puma, nellyzscott@gmail.com

I can offer a DIY music video workshop. I can do it either in a form of a lecture or if there is a crew that wants to create a music video over the course of the residency, I can offer advice, assistance and mentorship.

Lead Contributor: Emilia Kurylowicz, emilia.kurylowicz@gmail.com

Start the day flying. Before you reach for your phone, get involved in social interactions or consume anything, allow yourself to gather and activate what you already have.

90' performance warm-up

20' breath work

5' cold shower

25' guided awakening: somatic voice, ecstatic dance or butoh improv

Level: normal to fit

(I am normal)

Lead Contributor: Adam Hruby, ihate@ihate.biz

In the 90s, a scene of teen video game hackers became pioneers in the world of motion graphics. Pushing their Commodore 64 computers to their limits, crews of Demosceners coded animated sequences paired with custom music, usually intense acid, as intros to their gaming hacks. Today, as technology has developed, motion graphics are now available to everyone at any coding level. With a few lines of code you can draw a moving shape to the screen and even have it respond to your mouse movements.

We’ll start by looking at the culture and work of Demoscene (think floppy discs, keyboard throwing competitions and pixelated animations). Then I’ll lead a very basic workshop to guide you through creating your own moving graphic with code. People who have never coded before and are curious, this is geared towards you. I promise to uncover some of the mystery of coding while keeping it very simple and novice friendly. Bring your laptops.

Lead Contributor: Sophie Houser, sophiehouser@gmail.com

To make a social commentary documentary exploring the interplay of personal storytelling, emotion and non-didactic imagery. To gather anecdotes, interview responses, emotional revelations, and then play around with the sense of narrative, mixing documentary with creative imagery. Allowing the audience to finish the contributors' narratives for themselves, and reconstruct their ideas into their own interpretation. Interested to explore the power of expressions to convey ideas without words.

Lead Contributor: Monty FitzGerald, monty@fitzfilmz.co.uk